New case, new modules

With some spare days before the new exhibition "electric poetry" in the Albert van
Abbehuis I've been asked for, I took the chance to create a bigger case for my
eurorack system and finish the 4 oscillators I still had to finish. This will be the first 
time that I exhibit this installation for more than just a couple of days. This means I
have to create a system that is easy to turn on by somebody other than myself and 
also to have compositions long enough not to get boring after just a short period.

Here you can see the building process of the oscillators:

I saw some other cases made from aluminium and this would be a perfect fit for 
with my installation. I used aluminium with 2mm thickness and made it the same 
size as the stand I already made before for the installation. What took the most 
time was sanding it. I wanted to do it the same way as I did the forms for my 
installation so it would have the same look. I sanded it with three different sanding
papers, starting with a rough one and finishing it with fine sanding paper.

Here are some pictures of the process:

Here is some documentation of the exhibition at the Albert van Abbehuis. Normally
I play more drone or melodic sounds through the forms, but because this is an 
exhibition just for sound-art, I chose to emphasize the objects own characters. By 
repeating pulses of different frequencies I hope the audience has a better change 
of hearing the differences between the forms. On different exhibitions I like to use
the forms as instruments and perform with them.

Testing the forms with new modular system

After finishing the objects for my graduation work, I wanted to tryout my new 
modular synth instead of using Max/MSP. Eventhough Max provides 
unlimited possibilities, so to speak, I still wasn't completely happy with the 
sound. Somehow I still prefer having real buttons and knobs. Here I'm trying 
out some different patches to make some drone and percussive sounds.

Light defraction

Lately I've been thinking a lot about how visuals are almost always 2 dimensional. 
Most times it's a beamer on a wall or 3d-mapped on fixed objects. How could I 
make visuals that are really in the space, that really have a changing form? How 
could I make it 3 dimensional?

Here is the beginning stage and test model that came out of this thought. Also with
cymatics in the back of my head, I made this instrument that creates light and 
sound. Where the light is reacting to the sound. (In this video it's still without the 
sound part.)

I put two hemispheres on top of each other with a light exactly in the middle. The
idea would be to put a transducer on the bottom and moving the two hemispheres
from each other to change the light and sound.

Inflatable squid

Together with Nicole Urban I created a huge inflatable squid made out of plastic. 
We were commissioned together with other people from the Besturing to do the 
stage decoration for SubMarine Festival, which would take place at the Besturing. 
The plastic was molten together with an iron. On the night itself we used a beamer
to project visuals on our squid.


My first tryout videomapping on the course Projection at ArtScience Interfaculty. 
At some point also with multiple beamers, but unfortunately don't have any 
documentation of it. I was using Resolume Avenue together with MadMapper.